Thomas B. Allen was an American painter and illustrator known for a moody and expressionist style that pushed the boundaries of commercial art in the 1950s
and 60s. He was born in Nashville, Tennessee, where he was educated at
Vanderbilt University, and later at the Art Institute of Chicago.
Allen was often associated with fellow illustration mavericks, Robert Weaver and Robert Andrew Parker, who challenged the saccharine atmosphere of the
post-war magazine scene. This group favored a somewhat radical journalistic approach to their role and firmly opposed an illustrator`s role as mere page
decorator. They developed personal styles and techniques that made their chosen subjects even more resonant. They favored observing the world, drawing from life, and creating visual essays. This approach would later be termed “visual journalism” and in 1983 would form the basis of a special masters degree, Illustration as Visual Essay, from the School of Visual Arts in New York City.
Allen was widely known for his album covers of country and jazz musicians. He
formed lasting relationships with bluegrass music legend Earl Scruggs of Flatt and Scruggs. Another satisfied patron, S. Neil Fujita, an art director at CBS Records,
gave Allen many assignments for their jazz catalog. Being present at actual recording sessions with Jimmy Rushing allowed Allen to hone his observation skills and create work that was “more authentic.”
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